Penumbral Reflections

Dark dome sculpture illuminated within a maze of hanging rods

A series of simulations is projected around a latticed grid supporting a giant Claude glass.

Fractured shadow patterns cast across striped gallery installation panels
Dark dome sculpture illuminated within a maze of hanging rods
Fractured shadow patterns cast across striped gallery installation panels

The room is filled with continually changing shadows – some simulated, some physical. While the Claude glass acts as a reflection of its own surroundings, it simultaneously distorts that reality.

Abstract blurred close-up of striped light patterns on metal rods
Angular black rods casting layered shadows across gallery installation
Dark orb suspended within steel rod cage under gallery spotlight
Vertical rods with striped shadow patterns receding into gallery light
Overlapping shadow textures cast across striped panel installation
Close-up of angled steel legs casting radial shadows on terrazzo floor
Thin rods reflecting fractured shadow patterns across gallery corridor
Dark spherical form glimpsed through vertical rods and light streaks
Textured stone-like sculpture nestled within angled steel framework

Penumbral Reflections

Awards

Designers Institute of New Zealand Best Design Award - Silver Award in the Exhibition & Temporary Structures Category

Auckland Architecture Association (AAA) Visionary Architecture Awards – Winner Work in Progress

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Penumbral Reflections was the first architectural exhibition commissioned by Objectspace – a public gallery dedicated to positioning craft, design and architecture within a range of cultural, economic and social frameworks – for its new space.

 

The exhibition combines and distils ideas and themes from our recent body of built work and combines it with

much of our continuous work in the field of critical practice research.

 

The persistent investigation of light and shadow in architecture and a continual interest in developing forms of architectural representation underpin the exhibition. It is expressed through a series of simulations, which are projected around a latticed grid framework which supports a giant Claude Glass.

 

The room is filled with continually changing shadows, some simulated and some physical, with the Claude glass acting as a reflection of its own surrounding environment, while simultaneously distorting reality. The installation was conceived as a disciplinary experiment in exploring the blurred boundaries between the simulated and the physical within contemporary architectural practice.

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